Pianist Wei-Yi Yang has received worldwide acclaim for his captivating performances and imaginative programming. Winner of the gold medal at the San Antonio International Piano Competition, he has performed at Lincoln Center for the Performing Arts, the John F. Kennedy Center for the Performing Arts, and across America, Asia, Europe, and Australia. Most recently, his debut at Carnegie Hall’s Stern Auditorium as the soloist in Messiaen’s Turangalîla- Symphonie was hailed by The New York Times as “sensational.”

In demand as a dedicated teacher, Wei-Yi Yang has presented master classes and performances in Scotland, Ireland, Austria, Germany, Italy, Spain, Holland, Thailand, Hong Kong, Taiwan, China, Mexico, Serbia, and Montenegro, among other countries around the world. Mr. Yang’s performances have been lauded and featured on NPR, PBS, RAI (Radiotelevisione Italiana), ARTE (Association Relative à la Télévision Européenne), the ABC (Australian Broadcasting Company), and on recordings for such labels as Genuin (Leipzig), Hyperion (London), Naxos (Hong Kong), Albany Records, Renegade Classics, and the Holland-America Music Society.

A dynamic chamber musician with a diverse repertoire, Mr. Yang is a frequent guest artist at festivals in Lucca, Italy; Mallorca, Spain; Novi Sad, Serbia; Monterrey, Mexico; Konstanz, Germany; Kotor, Montenegro; Bergen, Netherland; and La Jolla and Napa, California; as well as the Norfolk Chamber Music Festival, in Connecticut. Mr. Yang has collaborated with such distinguished musicians as Frederica von Stade, Dawn Upshaw, Richard Stoltzman,

David Shifrin, Frank Morelli, Roberto Díaz, Roger Tapping, Clive Greensmith, Ole Akahoshi, Syoko Aki, and Ani Kavafian, to name just a few, and esteemed ensembles such as the Imani Winds, the Brentano, Miro, Dover, Pacifica, and Tokyo string quartets, among numerous others.

Mr. Yang has curated inventive interdisciplinary projects, including a collaboration with the illustrious English actress Miriam Margolyes as part of the “Dickens’ Women” world tour; lecture/recitals on the confluence of Czech music and literature; and multimedia performances of Granados’ monumental piano suite Goyescas with projections of Goya’s etchings. A keen advocate for the performance and education of newer music, Mr. Yang has worked with several notable composers including Martin Bresnick, George Crumb, and Ezra Laderman to prepare their works for premiere and recording.

Born in Taiwan of Chinese and Japanese heritage, Mr. Yang studied first in the United Kingdom and then in America with renowned Russian pianists Arkady Aronov at the Manhattan School of Music and Boris Berman at Yale. Mr. Yang has also worked with eminent pianists Claude Frank, Peter Frankl, Vera Gornostaeva, Byron Janis, Lilian Kallir, and Murray Perahia. In 2004, he received his doctorate from Yale University, where he joined the School of Music’s faculty in 2005, and serves as Professor of Piano and Chair of the DMA Committee.